The study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape. Also, honeybees construct hexagonal cells to hold their honey. These and other correspondences are sometimes interpreted in terms of sacred geometry and considered to be further proof of the natural significance of geometric forms.

Further information: Mathematics and architecture and Mathematics and art. Geometric ratios, and geometric figures were often employed in the architectural designs of ancient Egyptian, ancient Indian, Greek and Roman. Medieval European cathedrals also incorporated symbolic geometry. Indian and Himalayan spiritual communities often constructed temples and fortifications on design plans of a mandala.

Many of the sacred geometry principles of the human body and of ancient architecture were compiled into the Vitruvian Man drawing by Leonardo da Vinci. The latter drawing was itself based on the much older writings of the Roman architect Vitruvius.

The Agamas are a collection of Sanskrit, Tamil and Grantha scriptures chiefly constituting the methods of temple construction and creation of idols, worship means of deities, philosophical doctrines, meditative practices, attainment of sixfold desires and four kinds of yoga. Elaborate rules are laid out in the Agamas for Shilpa (the art of sculpture) describing the quality requirements of such matters as the places where temples are to be built, the kinds of image to be installed, the materials from which they are to be made, their dimensions, proportions, air circulation, and lighting in the temple complex. The Manasara and Silpasara are works that deal with these rules. The rituals of daily worship at the temple also follow rules laid out in the Agamas.